For over 20 years, Federico Garcia Castells has composed music for acoustic ensembles, orchestra, and electroacoustic media. Trio Ollin (Mexico City), NewEar Ensemble (Kansas City), The Symphony Orchestras of Mexico and Queretaro, among others, have performed his pieces. Since the 1980s, Mr. Garcia Castells has played drums in indie/alternative bands in Mexico and Canada.

Silen Wellington (they/he) is a sculptor of sound, artist of people, witch, genderqueer shapeshifter, mercurial story collector, and lover, among other things. Avidly interdisciplinary, they like to combine music with other art mediums, be that spoken word, visual art, ritual performance, loud and fiery eye contact, otherworldly and melting trysts, or something else entirely.

My name is Anthony Cozza and I am a film and TV composer that brings the storytelling sounds of cinema to the stage. Making use of traditional orchestral instruments paired with modern electronic synthesizers, I make dark ambient music that takes the listener on a sonic adventure. 

Mary Elias Letera is a Lebanese-American artist who came of age in the rust belt during the time of 9/11. With no clear identity owing to her multi-ethnic background, she explores with her work the themes of identity, alienation, finding belonging, and dissolving the perceived boundary between Self and Other. She is a music producer, visual artist, programmer, esotericist, and dancer who merges these art-forms into multi-sensory experiences inviting audiences to get lost and found again.

WL2MN comes from the brain of Co-Stanza frontman, Jack Costanza. It was designed as an outlet for the more bizarre and psychedelic tunes created by Jack, and has since become a live project, as well as a visual brand. WLF2MN released the most recent project, SPLATTER, as a full length movie in collaboration with many other Fort Collins aritsts, as well as film makers from around the country. The live sound is an experimental, highly digital, improvisational experience.

Member of Oklahoma's Anvil Salute going on 20+ years exploring the world of improvised sounds solo with lap steel, pedals, singing bowls, etc. Based in Longmont, CO since late 2022. Dad anti-rock.

Since 2009, this Colorado-based meta-mystical ensemble has been thrilling audiences across the U.S. and beyond with its unique brand of post-punk pomp and epic pageantry.  

A battery of over fourteen power percussionists comprises the spine of the fifty-plus strong performance troupe whose orchestral arsenal of avant-instrumentation runs the gamut from guitars, gamelan, and synths to less conventional instruments, including theremin and vocoders in concert with more experimental trance-inducing apparatus.

Using computer music to reinterpret the spiritual abstraction of the human experience, F-ETHER combines elements of deconstructed club, digital hardcore, and leftfield bass music to fully actualize his potential as a critically acclaimed "experimental dance music legend-in-the-making". Having been likened to Arca, Death Grips, and Bleep Bloop, his live performance creates a unique A/V experience that bridges the gap between the ethereal and the corporeal by way of silicon and circuitry.

Spider Lights is the modular synthesis project of Brett Darling (Stella Luce, Pep*Squad, Kill Your Darlings). The sound has been described by critics as the sound of "an astronaut abandoned on a dying ice planet", and draws its influence primarily from soviet sci-fi and liminal horror. Spider Lights comes in two separate flavors: techno(ise) and ambient, but the main difference between the two is merely the presence (or absence) of a driving beat underneath the all-encompassing nightmarish soundscapes.